10
Oct/09
0

Canon 300D, Nikon D70: Comparison of digital SLR

Similar resolution, dimensions, price: then a true l 'other? SLRs "cheap " 300D and D70 under the lens 's glass to see who the check mark … The first to hit the market was the EOS 300D. The first to collect l 'echo of the press, the buzz among fans, smiles among retailers eager to finally offer its customers a SLR at an affordable price, if not all, to many. The D70 is just arrived but is already the talk of the fans. Not only does it compete with rival 6-megapixel , but it puts fans into serious difficulties when they are choosing between one of 5 brand new compact (see comparison Pro1 – A2 – 8700 – C-8080 – 828) and two 8-megapixel SLR economic "churned out by and .

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10
Oct/09
0

Comparison: Canon Pro1, Minolta A2, Nikon 8700, Olympus C-8080, Sony 828

Alternative to professional SLR to the latest super compact compensate for the lack of interchangeable lenses with easy handling, high resolution (8 megapixels) and zoom functions pro increasingly interesting. Put it in comparison … Pro1, A2, 8700, C-8080, 828: are now well 5 to 8 megapixel cameras on the market, five compact, for resolution and features, they may gorge thousands of fans and even many professional photographers. Having a CCD (sensor) 8 megapixels means being able to deliver photos to the magazines printed in a format just under A4 (21×29, 7 cm.) At 300 dpi (dots an inch). Well, photos are suitable for "full page" professional. For Prints "housewives" with an inkjet , the 8-megapixel sensor is sufficient for the A3 (29,7 x42 cm). The resolution, however, not all. We try to pull the four cameras and compare features point by point.

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10
Oct/09
0

Sony DSC 828: unfulfilled promise?

4-color filter CCD, a good 8 megapixel sensor, a 7x zoom (28-200 mm at 35) and double slot, able to stay even microdrive: on paper 's n ' is enough to shout miracle. And then many functions: recording in raw format, Hologram AF, Real Imaging Processor, and do not stop here … But to attract fans and even many of the professional photographers, is above the body of the Cyber-shot DSC 828: beautiful, ergonomic, rugged, equipped with an adjustable objective. Even this price of the machine, 1299 euros, is interesting. Cybershot DSC 828 Unfortunately, the first field tests of the Cyber-shot DSC 828 also showed its limitations. Among the flaws: the barrel distortion, caused by a 'perspective so extreme (ranging from 28 to medium telephoto) were planned; disorder (bothersome points purple) is far too long, especially by setting the sensitivity above ISO 100. The resolution 's all over (but has to deal with the 8 megapixel cameras are freshly baked from the competition – Coolpix 8700, Dimage A2, Camedia C-8080 – but not enough to offset the obvious flaws of a buffer that records the JPEG format but calmly nailed relentlessly the machine with the RAW format, what is considered the standard by professionals. In network has triggered a search to defect after the publication of proof made by Dpreview. The arguments are different but the conclusions are similar: The Cyber-shot DSC 828 has appeal to sell but unacceptable defects on a machine that wants to be top of the range. Distortions 's perspective can corregir in , and also disorders purple leave with a careful editing, but for l 'insufficient buffer ' s nothing to do.

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10
Oct/09
0

Minolta Dimage A2: 8 megapixels and stabilizer

The A2 also has the electronic stabilizer d 'image (works on the CCD and not on the ' target), a 7x zoom and an autofocus system, 3D. Also see Comparing Pro1 compact A2 – 8700 — C-8080 – Press Release 828 The Second Generation Super Fine EVF viewfinder with Konica DiMAGE A1 together with the previous model of an Anti-Shake function (damping), which used an innovative mechanism to move the CCD, as well to incorporate a CCD 5. 3-megapixel, 7x optical zoom, autofocus with a 3D (three dimensional). In February 2004, in response to requests for a higher resolution, Konica is proud to present an SLR type : DiMAGE A2, a that inherits the quality and performance of the DiMAGE A1. CCD 8 MP DiMAGE A2 incorporates a CCD High Quality 8-mega-pixel CCD and an electronic viewfinder (EVF) 4 times more powerful than the previous model to obtain images at the click is very clear that in the vision. DiMAGE A2 has an 8-megapixel CCD progressive actual primary colors such as 2 / 3 "high resolution, reproducing with great fidelity even the smallest detail. Aim 's goal GT Konica provides the light to come the CCD with the utmost fidelity.'s technology CxProcess ™ II image processing ensures that colors are reproduced exactly as you see them. The electronic viewfinder (EVF) Super Finish is sharp and clear through high-density display composed of pixels 922.000 – , 4 times the previous model. L 'EVF has also evolved to make more enjoyable. Focusing precision incredibly simple, you can see down to the smallest detail with highly realistic colors. Stabilizer to switch to "Smooth ", the viewfinder moves to a "frame rate " of 60 fps for keep in focus the moving subjects. DiMAGE A2 features Anti-Shake function, one of the major strengths of the DiMAGE A1. Also this incorporates CCD-shift mechanism to minimize l 'ef-fect of vibration up to three shutter speeds. The Anti-Shake Konica is an extremely effective way to capture high resolution images at low ISO without a tripod tele focal lengths and with little light, easy even for a beginner. Autofocus 3D L 'Konica 's 3D AF follows seamlessly moving subjects keeping in focus for capturing clear images and high quality, even when the subject comes to meet you along the axes X, Y, and Z 's shot. Lightly press the shutter button, you start l 'AF 3D Predictive Focus Control, which is able to foresee exactly where you will find the subject at the time of the shot and adjust focus accordingly. The Speed 's FA is superior to any other in its class type SLR with lens is not interchangeable 5x or greater optical zoom *. * On December 1, 2003 DiMAGE A2 is also capable of recording high quality at 544 x 408 pixels with audio at 30 fps, an optimal resolution to be viewed on a TV screen. accompanying will transform you into real filmmakers.

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10
Oct/09
0

Crayola present and Olympus Olympus FE-46 COLORING SET and the new service ColorMe

Crayola and have joined forces in announcing the future availability of a new kit designed specifically for children, is called FE-46 COLORING SET and includes the compact FE-46, perfect for beginners because it is completely automatic, and a box of 64 colors of Crayola crayon. The kit in question is linked to a new service, ColorMe that the two companies have already launched into the network and lets you turn photos into black and white drawings that, when printed may be colored by children at will. The service is available by clicking here and requires a simple registration to be used free of charge. Although it is only available in English, its operation is very simple and intuitive as you just click on "Pick a " to upload site one of the photos stored on your . At this point, the system transforms the image into a design allowing you to make some changes. Once completed, you can save or print the result. A service so cute and funny that we are sure will get a big hit among children. For the record, the kit FE-46 COLORING SET is available at the suggested retail price of $ 99.99, but we reiterate that it is not necessary to use ColorMe.

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10
Oct/09
0

Micro Four Thirds System: Fujifilm and Pentax ready to exploit the benefits

We often talked about in recent months the brand new Micro Four Thirds system, a system born from close collaboration between and , and capable of revolution the world of because it allows the use of devices similar to a compact size but the potential techniques similar to those a SLR. The success of the first devices that and have put on the market seems to have left indifferent managers of other brands. Several contributions have come in fact signs of openness towards being able to fit within this new segment, which, although dedicated to a particular niche of photographers, could lead to large gains. Someone who could use immediately the new system is ; According to rumors, in fact, the company is working hard to just put a new machine that combines the potential of the new EXR sensor of which it owns with the Micro Four Thirds System. The announcement could be issued at the upcoming PMA. Not only , Pentax is also considering entering the field as he made it clear in recent days Stephen Sanderson, manager of the company. There is also a good bet that other companies, first do all and will follow their example in trying to make the most of all the advantages that the new system offers. We'll see.

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10
Oct/09
0

On October 31, debuted the new Micro Four Thirds Olympus E-P2?

It seems that has a new plan to brief press conference in which important news will be announced. The conference is scheduled for next October 31, but still no information about what transpired on new products that will be presented as the company is trying to maintain the strictest secrecy in order to increase the wait. Very assumptions about new products that could be formalized, but the most reliable seems to be that they want the company poised to debut in the second machine that uses the new Micro Four Thirds system, we are talking about the E-P2, technical evolution of that E-P1 made only a few months ago. The new machine, in fact, could take the size and even the design of its predecessor but it should be distinguished for a more technical equipment. In particular, the news should focus on Mecca fire made even faster and the presence of flash and optical viewfinder is missing in the E-P1. Others have suggested that the conference of 31 October will be devoted to the presentation of a new flagship, the E-4, technical evolution of the E-3. These assumptions is confirmed by the latest decisions of the company to drastically reduce the price of the E-3. We just have to wait until October 31 to find out what's new in Serbian society has for us. Stay tuned.

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10
Oct/09
0

Novoflex: 11 adapters to fit older machines objectives Micro Four Thirds

One of the main advantages of the new Micro Four Thirds system, a system born from the close cooperation between and , doubtless in small machine that implements it. The E-P1 and the G1, GH1 and GF1 are characterized, in fact, to have compact sizes despite guarantee shots comparable to those of a SLR. Are also decreased significantly the size of new lenses that can be mounted on machines Micro Four Thirds in order to limit the overall weight of the machine. Except that, assuming that the photographer has an existing Four Thirds System lenses need not set aside because there are numerous adapters that allow for the possibility of mounting even on machines Micro Four Thirds. In that sense, are the latest important news presented by Novoflex: ben 11 adapter that allows mounting on all machines Micro Four Thirds old targets such as for example those that have the attack for Pentax K, FD, Leica M and R, OM, Alpha / , F ETC. Such attacks allow a mechanical connection of the old lens with Micro Four Thirds machine able to fully exploit its full potential. Available on the market as early as next week, will have retail price ranging from 89 up to 169 euro VAT included.

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25
Sep/09
0

Adobe released versions RC 5.

In mid-summer were announced the new D300s and D3000, the small Pen E-P1 and the DMC-FZ35. could not stay behind with l 'upgrade of such as Raw and DNG Converter.'s So punctual that you release a new version signed v.5.5 for now only available as release candidate. With release candidate is shown the distributed version so that it can be tested by the community but not yet secured and available at the official distribution. For those wishing to try their hand during the test, you can it by clicking the following link. the Release Candidate version v.5.5 ACR and DNG Converter v.5.5 Among the new features introduced with version v.5.5 emphasize the correction for sensors with a Color Filter unconventional, with particular reference to the response of the color green.

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25
Sep/09
0

Canon to work on the new system stabilization Hybrid IS

Appear to refute rumors online about a stabilization system built into the house SLR . The evidence comes from the 'ad you see in Hybrid IS the system that will complement and replace the IS technology, Image Stabilizer, all ' internal lenses . It thus confirms the desire to keep the stabilizer to 'internal lens choice also followed by , unlike , and Pentax who prefer a system directly connected to the sensor. Hybrid IS (Hybrid Image Stabilizer) is actually more advanced than one optical stabilizer all 'IS present, as with two different sensors. A sensor measures the angular velocity, to measure the extent of angular (as in the current IS and VR), and a second sensor is actually an accelerometer, designed to record the movements of the 'vertical axis. The information is then processed by the management system integrated into the Hybrid IS, which should improve the already excellent performance of the systems currently in use, especially in difficult shooting situations like macro . The first Hybrid lens with IS, according to HotHardware, are expected before the end of 'years, while there are as yet unknown details of the gain in the stop and possible increases in price compared with optical IS.

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